Taylor Swift performs burlesque with Dita Von Teese in star-studded Bejeweled music video

Taylor Swift reworked from Cinderella to a burlesque dancer in the star-studded music video for her track Bejeweled, from her new album Midnights.

At one level in the video the 32-year previous singer – who additionally wrote and directed the project – carried out a cheeky burlesque routine with Dita Von Teese, 50, that includes the duo splashing round in big martini glasses whereas sporting glowing corsets.

The video was chock-full of superstar appearances, together with actress Laura Dern, the Haim sisters, make-up artist Pat McGrath, and report producer Jack Antonoff.

The video begins out with Taylor – who performs House Wench Taylor – in a tattered soiled white dress as she cleans vomit off of the ground in an attic.

Suddenly her mean-spirited step sisters Lady Danielle, Lasy Este and Lady Alana – performed by Este, Danielle, and Alana Haim – seem in their clear robes, and begin discussing how they will win a prince over.

‘I’m sorry my dudes, he is gonna select me, I even contoured my abs with the mud from the hog pen exterior,’ considered one of them boasts.

‘We, I purchased diamond nipple tassels so…’ Another one provides.

They are then joined by Taylor’s evil stepmom, performed by Laura Dern, 55.

‘Well, I’ll be poisoning all the opposite maidens in the village!’ she reveals.

‘Yes mother!’ They cheer her on.

However, the sisters reveal that the competitors for the prince’s coronary heart has totally different guidelines this year, and as an alternative of ‘displaying up on the ball wanting scorching’ the maidens should enter a ‘expertise competitors’ and whoever wins get the keys to a fortress and a wedding proposal from the prince.

Gold subtitles then seem on the display, displaying that Danielle ‘needs the ring’, Este needs ‘the title’ Alana ‘needs the d***’ whereas Taylor needs ‘the fortress.’

The evil stepmom then reveals off eight proposal rings she’s beforehand acquired from suitors, as she tells her daughters it is the one most essential factor to aspire to in life.

‘Well everyone knows who’s not coming tonight,’ one os the sisters says, pointedly taking a look at Taylor, as she calls her a ‘weasel.’

‘Do we truthfully have to do that complete complete verbal abuse factor ever time you allow the home?” Taylor inquires as she continues to scrub the floor.

‘Shut up wench!’ they shout at her.

‘Speak no, tired tacky wench, clean!’ Dern admonishes her. ‘Even if she were allowed to go, which she is not, the prince would never have anything to do with that little harlot again. He tired of her quite quickly, didn’t he?’ She adds.

‘Or should I say… Swiftly?’ she jokes.

‘Thee it is, that joke never gets old, thank you,’ Taylor replies.

They continue to verbally abuse her before leaving to get jewels for the ball.

When they leave, Taylor flashes a smirk before catching a mysterious golden witch that tells her that her ‘exile’ ends in two minutes.

Suddenly a magical elevator appears and Taylor is wearing a glittering navy robe with a hood as she enters while singing, ‘And by the way, I’m going out tonight.’

She continues to sing the chorus in the elevator: ‘Best believe I’m still bejeweled/ When I walk in the room/ I can still make the whole place shimmer.’

‘And when I meet the band/ They ask, “Do you could have a person?”/ I could still say, “I do not bear in mind.’

‘Familiarity breeds contempt/ Don’t put me in the basement/ When I need the penthouse of your coronary heart/ Diamonds in my eyes/ I polish up actual good.’

When the elevator doorways open, Taylor’s hood is off and she or he is seen sporting a shimmery black dress and glamorous make-up.

Meanwhile in entrance of her there’s a walkway made out of diamonds.

As she makes her method down the diamond runway, Taylor discards her gown to disclose a black bejeweled bodysuit.

As lovely diamond necklaces and bracelets fly round her, she begins to decorate.

Taylor then proceeds to get again in the elevator, and continues to make her method up.

As the doorways fly open but once more, she comes out with purple lipstick on, and sporting a shocking white corset, diamond necklace and earrings, in addition to a white bolero.

At the top of the room the Queen of Burlesque, Dita, awaits her, in a tantalizing corset that matches Taylor’s.

Dita playfully waves on the digital camera. Both girls then shake off their fur shawls, earlier than Dita conjures up two martini glasses.

They each get in and start to placed on a sultry efficiency, at one level dousing themselves with water from large olives. 

In the subsequent scene Taylor’s look is reworked but once more, as she hops onto a watch face sporting a glowing bra and matching underwear and headpiece.

The singer then performs a dancing routine with a bevy of scantily clad backup dancers.